If Djawadi doesn\'t come back for the next two sequels for Iron Man I will be thoroughly disappointed with the studio. He has done for Iron Man what Badelt and Zimmer did for the Pirates of the Caribbean movies, gave fantastic movies over the top scores that just made the films ten times better.
#Iron man 2 soundtrack album artwork movie#
The score for this movie is just so good, I really don\'t understand why they put music on the soundtrack not by Djawadi. Every time this track comes on I turn my volume up as loud as I can handle it and put it on repeat and just rock out. The interplay of the two forces at work just make for a roaring good time. It\'s a great orchestral cue and then a great power quartet cue. This is the track that makes the album so good. I feel the culmination of having an orchestra and a power quartet in a soundtrack comes perfectly together on the track, \"Gulmira\". The track really is smooth and tender and you can tell from watching the movie and listening to the track that it captured the moment between Stark and Potts to the last detail.
#Iron man 2 soundtrack album artwork 320 kbps#
Artista: AC/DC Album: Iron Man 2 Tiempo: 1:02:59 Genero: Hard Rock Peso: 146MB Calidad: 320 kbps Temas: 1.Shoot to Thrill 2.Rock -N- Roll Damnation 3.Guns for Hire 4.Cold Hearted Man 5.Back in Black 6.Thunderstruck 7.If You Want Blood (You-ve Got It) 8.Evil Walks 9.T.N.T.
With this cue, its one of the tender moments between Tony Stark and Pepper Potts.ĭjawadi accomplishes the delicacy of the cue with a lack of brass, the whole piece is made up of strings, a few wood winds and light percussion. Hola amigos, hoy les presento el disco de Ac/Dc llamado Iron man 2. Its a kick to the head for any lover of rock music and well put together scores for the movies.īut even though the album is filled with heavy guitar and ear-drum bursting percussion, Djawadi knows when a soft touch is needed and he gives that to the film in the form of a cue called, \"Extra Dry, Extra Olives\". I wish I could say more about \"Merchant of Death\" but the whole album just makes me excited every time I listen to it. With \"Merchant of Death\" we are shown what the album will be filled with, rocking drums that will have you air drumming in no time, and a lot of guitar that will have you pretending you have one foot on an imaginary monitor and are welling out a heavy jam.ĭjawadi puts out track after track of a rocking score, this is the soundtrack where you wish your stereo went to 11. There are three tracks that I want to point out how good this album is, the first is \"Merchant of Death\". He has made a complete turn around in his film career and I\'m happy to say that he\'s done a great job of it, but back to the music.įor a film about a man in a metal suit, one would only expect the score to be a romp of power, and adrenaline, and if it\'s anything less than that, I must have got the wrong disc. has done some of his best work, he plays Stark well, and makes it believable. I remember seeing the trailers and hearing AC/DC thinking, \"Oh man this is going to be awesome!\" And I was right, Robert Downey Jr. I hope for the sake of the franchise and the coming sequels that Djawadi will be tapped again to provide music because this score is without even the slightest doubt worth every penny. Any album that opens with a high concept song about war from the middling radio pablum outfit Imagine Dragons - certainly the Spin Doctors of their time - and ends with a turgid dance-rock cover of Sly Fox's "Let's Go All the Way," by the Wondergirls featuring Robbie Williams, pretty much deserves to end up on the scrap pile of soundtracks.Let me start off by saying, Ramin Djawadi\'s score for Iron Man makes me grateful for surround sound, because if you don\'t have one, you are missing out on some rockin\', rollin\' turbo charged good times. In fact, some cuts, like 3OH!3's "Bad Guy," primarily grab your attention for how utterly inane they are. Wolfmother lead man Andrew Stockdale makes the biggest noise here with his bluesy solo turn on "Keep Moving." That said, nothing much is as anthemic and fist-pumping as any one of the AC/DC cuts from Iron Man 2. Since many of the tracks here are by bands that lean toward mixing atmospheric synthesizer pop with some post- U2 guitar uplift, it leaves the general impression of being acceptable, if rather indistinct background music for a film. For 2013's Iron Man 3: Heroes Fall, gone is Angus Young's flagrant Gibson guitar crunch, replaced by a weak-knuckled collection of particularly ineffectual indie pop cuts by the likes of Passion Pit, Neon Trees, and Rogue Wave. The result was cheeky and lent a bit of rock & roll muscle to the comic book fun of the film. For 2010's Iron Man 2 soundtrack, rock legends AC/DC allowed the producers to compile a handful of their best-known tracks to accompany the big-budget superhero sequel.
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